To book tickets visit: .uk, Discount, Theatre Tickets .uk, Love, Theatre and UK .uk. The Financial Times: **** “Better to catch Fleming as the Marschallin one more time and Carsen’s bravura production while it is still fresh.”īachtrack: **** “Robert Carsen’s new production of Der Rosenkavalier is a great vehicle for Fleming.”ĭer Rosenkavalier will continue to perform at the Royal Opera House until the 24th January. : “This was a very different Rosenkavalier from the previous one, but utterly compelling.”
Kiri Te Kanawas role as the Marschallin was spectacular. What an amazing production it was The staging at Covent Garden went way over the top in keeping as close to the times in both elaborate costumes and opulant sets. The Stage: *** “Here updated to the time of Der Rosenkavalier’s premiere (1911), just before the First World War, it’s not as romantic or nostalgic as usual.”Įvening Standard: **** “Robert Carsen’s production offers a magnificently shaped score and a uniformly strong cast.”īoulezian: “In many respects, then, this proved a missed opportunity, laced with tantalising hints of how much better things might have been – might still be, if only they/we were to get our act together.” My local opera group just viewed this fabulous production of Der Rosenkavalier. The Independent: **** “Avoiding the usual opening-scene clichés, Robert Carsen’s felicitous production sails triumphantly through these tests, much helped by outstanding performances.” The Telegraph: **** “Robert Carsen is a director who knows how to put on a good show, and his handsome new production of Strauss’ Der Rosenkavalier will delight audiences sick of carnage, rape and mayhem being scribbled over their favourite operas.” The Guardian: **** “In the event Robert Carsen’s staging proves to be the least involving element of the evening, providing more irritations than insights what one takes away is the quality of most of the individual performances.”
The Royal Opera House is currently staging Robert Carsen’s production with a cast including Renée Fleming, Alice Coote and Rachel Willis-Sørensen.
0 kommentar(er)
